Members of KISS, Def Leppard and Mötley Crüe all cite Sweet as an influence. Guitarist Andy Scott explains why the 1970s glam-rockers’ music holds up.
Tom Jones has piled up dozens of chart hits and countless pairs of panties hurled onstage by lovestruck female fans since the 1960s. (Fittingly, his star on the Walk of Fame is in front of a lingerie store). But don’t let the Welsh crooner’s now-gray hair fool you: His voice is as fierce as ever.
Janis Ian won her first Grammy when she was 16. Forty-six years later, she picked up the Best Spoken Word Grammy for “Society’s Child: My Autobiography.”
As Garbage — the band, that is — releases its first full-length concert film, fans wonder: Can a new album be far behind? Drummer Butch Vig weighs in.
“Anybody singing the blues is in a deep pit, yelling for help,” Mahalia Jackson once remarked. And if anyone can relate to that remark, it’s Beth Hart. She was an up-and-coming vocalist before drugs, alcohol and numerous trips to the psych ward derailed her career.
With her personality and pizzazz, Grace Potter could be whatever she wanted. But, as Little Richard says, “The girl can’t help it.” She just wants to rock.
These days, the former Raider finds them collaborating with New Jersey’s Doughboys — and nary a pair of tights in sight.
Mark Weiss launched his career at age of 14, when he agreed to cut grass in exchange for his camera. But it took him a night in jail to commit to his craft.
With three lead singers and shared compositional credits, the music of Blue Sky Riders’s debut, “Finally Home,” sounds inspired and invigorating.
Eric Bloom talks about Blue Öyster Cult’s early days, the now-(in)famous SNL skit and why the band will keep touring for as long as people want to hear them play.