Tag Archive | "Candice Night"

Take a Secret Voyage with Blackmore’s Night


Ritchie Blackmore and Candice Night of Blackmore's Night. Photo courtesy of SPV.

Ritchie Blackmore and Candice Night of Blackmore’s Night. Photo courtesy of SPV.
SPV Records is proud to announce the U.S.A. release of Secret Voyage by Blackmore’s Night.

This kaleidoscopic musical journey through time and space incorporates traditional folk music from around the world. The album blends haunting ancient melodies with newly-written Night lyrics inspired by nature and fantasy, partially recorded on renaissance-period instruments, and arranged with a contemporary dramatic flair that features the brilliant acoustic and electric guitar stylings of Blackmore. This cd is sure to transport you to a simpler, more magical time, away from the stresses of modern day life.

Blackmore’s Night is fronted by singer/songwriter/multi-instrumentalist Candice Night with legendary lead guitarist Ritchie Blackmore. Other members of the award-winning band include Bard David of Larchmont (keyboards/vocals), Earl Grey of Chimay (bass/rhythm guitar/vocals), Squire Malcolm of Lumley (percussionist) and Gypsy Rose (violin/vocals).

“With Blackmore’s Night,” says Blackmore, “we have the creative freedom to play any style of music we want. We can play folk, rock, ballads, instrumentals, or tavern songs. I couldn’t do that in Deep Purple. Now I feel as if I’m not in a box anymore. ”

Inspired by their international performances, and assimilating the various melodies from the continents they’ve traversed, many of the 12 new tracks on Secret Voyage have been adapted from the folk traditions of numerous countries including France (“Gilded Cage”), Russia (“Toast To Tomorrow”), Germany (“Prince Waldeck’s Galliard”) and England (“Peasant’s Promise”). Add to that two stunning covers done distinctively in Blackmore’s Night’s strongly identifiable style — the 1961 Elvis Presley hit “Can’t Help Falling In Love” and Rainbow’s “Rainbow Eyes”—and some entrancingly poignant originals.

In addition to creating the kind of haunting sonic soundscapes that captivate your mind  like your fondest memories, Night and Blackmore also continue to work for the many causes they espouse.

Together with World Wildlife Fund, they’ve helped plant 6,000 fruit trees in Borneo, donated time and money to help Siberian tigers, bats in Berlin, badgers in Great Britain and, at many of their concerts around the world, have established fund drives for “No Kill” animal shelters. When not touring they continue to sponsor shelter animals and even hold a private show at holiday time every year to raise funds for local animal charities. They have also banded together with C020L to help the environment by planting trees in Panama to reduce the toxins brought on by the bands touring.

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Web Exclusive! Catch up with Candice Night of Blackmore's Night


Listen in to Goldmine’s Q&A with Candice Night, singer/songwriter and multi-instrumentalist for Blackmore’s Night, the Renaissance folk act fronted by legendary guitarist Ritchie Blackmore.

Secret Voyage is the group’s latest LP, out on SPV Records, and it has that magical blend of ancient melodies and traditional and modern instrumentation that has beguiled so many listeners in recent years.

In this unique Q&A format, we offer up the questions here, followed by a link to click on the podcasted answers from Candice Night. Just click on each link to hear Candice’s answers!

Question 1: Many of the tracks on Secret Voyage explore the folk traditions of countries such as Russia, France, Germany and England. Do you find the lines between the folk music of all those countries are blurred in some ways, or do they all have their own distinct identities?

Answer 1: Click here.

Question 2: Using that as your template, and using Renaissance instruments, it seems the possibilities are endless for Blackmore’s Night?

Answer 2: Click here



Question 3:
Is there a particular folk tradition that you are especially fond of, and does Ritchie share that?

Answer 3: Click here

Question 4: "Gilded Cage" has its roots in French folk traditions. That song has a real romantic quality, that unrequited love theme.

Answer 4: Click here

Question 5: "Toast To Tomorrow" has that celebratory Russian drinking song vibe. Is that one based on folk songs from that country that you’ve heard before?

Answer 5: Click here

Question 6: You do two very interesting covers on this record. One is your version of Elvis’ "Can’t Help Falling In Love." Why did you choose to remake that one, and how did you want to approach it?

Answer 6: Click here

Question 7: And then there’s Rainbow’s "Rainbow Eyes," which is really ethereal and sweeping here. And Ritchie’s guitar playing is otherworldly. Were you cautious at all about doing a song that Ritchie had done with another band?

Answer 7: Click here

Question 8: Where did you gain your interest in Renaissance music?

Answer 8: Click here


Question 9: A lot of your lyrics are inspired by nature and fantasy. How much does ancient  literature influence you?

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Album Review ? Blackmore's Night: Secret Voyage


Another haunting journey through the ancient past, Secret Voyage takes this group of wandering minstrels to musical ports of call both familiar and foreign. Along the way, the collective, led by legendary rock guitarist Ritchie Blackmore and the ethereal chanteuse Candice Night, resurrects the folk music of Eastern Europe, France, Germany and, of course, England with a beguiling mix of modern and Renaissance-era instrumentation.

On the rollicking, toe-tapping drinking song “Toast To Tomorrow,” stringed instruments, including Gypsy Rose’s violin, wheel about the dance floor in an authentic mastery of Russian folk traditions, while “Gilded Cage,” featuring Blackmore’s intricate acoustic guitar patterns and borrowing from French folk styles, plays on romantic, old-world sensibilities.

But, Renaissance music is Blackmore’s Night’s forte, and the lushness of “The Circle” and the misty atmosphere of “Sister Gypsy” — both featuring Night’s alluring vocals and gripping lyrical tales — drive home the point.

Examples of Blackmore’s incredible dexterity as a guitarist abound in the acoustic instrumental “Prince Waldeck’s Galliiard,” an adaptation of German traditions, and the more English leaning “Peasant’s Promise.” Interestingly, the full, rich reworking of “Rainbow’s Eyes,” an old Rainbow tune, and Blackmore’s soaring guitar leads on the synth-powered remake of Elvis’ “Can’t Help Falling In Love” make you wonder if he’s, indeed, ready to give up the rock ghost.

If nothing else, Blackmore’s Night should be applauded for reintroducing the world to musical styles that would, otherwise, be in danger of being forgotten entirely. That they continue to find new avenues of expression through dead musical languages is nothing short of remarkable.

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