Tag Archive | "folk"

Singer Richard Thompson receives OBE from Queen of England


Richard Thompson was awarded the Order of the British Empire (OBE) today for his “singular and substantial contribution to music.” The award was presented by Queen Elizabeth during the special investiture ceremony at Buckingham Palace

Crowning an extraordinary week, Thompson will also be bestowed with an Honorary Doctorate from the University of Aberdeen on July 5th, for his “exceptional and distinctive contribution to contemporary music, (which) places him among a very distinguished group of honorary graduates from the arts.”

Richard Thompson first emerged in 1967 as a founding member of British folk rock innovators Fairport Convention.

The newest OBE recipient has produced a body of work that challenges, delights and amazes in equal measure. He has written and recorded over 400 songs, all marked by consistent intelligence, taste and emotional resonance and is widely hailed as one of the most distinctive and iconoclastic guitar virtuosos– whether playing acoustic or electric guitar, performing solo or in a group. Richard Thompson has been awarded an Ivor Novello award for his songwriting, the Orville H Gibson Best Acoustic Guitarist Award, the 2010 Mojo Les Paul Award, plus a spot on Rolling Stone Magazine’s “Top 20 Guitarists of All Time” list. Last summer he was selected to be the artistic director of London’s prestigious Meltdown Festival at the South Bank Centre.

Richard Thompson will be on a solo tour of the US and Canada starting August 26, throughout the fall.

Among the confirmed dates are:

August
26 Wolf Trap, Vienna, VA
27 Festival Pier, Baltimore, MD

September
2 Lowell Music series, Lowell, MA
3 Rhythm & Roots Festival, Charlestown, RI
10 Ellnora Guitar Festival, Champaign, IL

The tour will continue throughout October. December 2-3-4 will see Richard Thompson’s almost-annual run at the Montalvo Winery in Saratoga, CA, performing all-request shows.

Full biography and tour dates: www.richardthompson-music.com

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Rounder to re-release Woody Guthrie’s ‘The Live Wire’


Rounder Records announced the re-release of “The Live Wire” – Woody Guthrie’s only known live recording – on April 19. One of the most significant recent finds in folk music history, the 2008 Grammy® winner for Best Historical Recording will be available solely on CD for the first time and features a PDF of the book with which this recording was first packaged.

In 2001, The Woody Guthrie Archives received 2 spools of wire recordings from a live Woody Guthrie performance held in Newark, New Jersey in 1949. With the help of many talented recording engineers, the Woody Guthrie Foundation transferred this rare live performance from a delicate wire recording to digital audio, and, with state-of-the-art technology, restored it to near-perfection.

Track Listing:
1. Intro: How Much? How Long?
2. Black Diamond
3. I Was There and The Dust Was There
4. The Great Dust Storm
5. Folk Singers and Dancers
6. Talking Dust Bowl Blues*
7. Tom Joad
8. Columbia River
9. Pastures of Plenty
10. Grand Coulee Dam
11. Told By Mother Bloor
12. 1913 Massacre
13. Quit Sending Your Inspectors
14. Goodbye Centralia
15. A Cowboy Of Some Kind
16. Dead or Alive
17. Jesus Christ Has Come!
18. Jesus Christ

*After only three verses, the recording abruptly ends, most likely due to the wire either simply running out, or breaking.

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Loudon Wainwright box set to be released this May


40 Odd Years into an exceptionally prolific and storied career, Loudon Wainwright III is being celebrated with an aptly named career-spanning 4-CD/1-DVD box set, including a 40-page book, with an essay by renowned journalist/author David Wild and an introduction by filmmaker and box set co-producer Judd Apatow, to be released by Shout! Factory on May 3, 2011.

The first 200 to pre-order from ShoutFactory.com will receive an exclusive booklet signed by Loudon Wainwright III himself.

“40 Odd Years” features songs from throughout Wainwright’s career, including works of brilliance such as “The Man Who Couldn’t Cry” from 1973’s Attempted Mustache, which Johnny Cash would record with producer Rick Rubin decades later, to the genuinely odd “Dead Skunk,” which became a #16 pop hit and thus a true novelty in the Wainwright canon, to highlights from his most recent projects, including cuts from the Grammy®-winning album High Wide & Handsome: The Charlie Poole Project. The 3+ hour DVD includes an extremely rare documentary made for Dutch television entitled One Man Guy, TV appearances on the BBC, Saturday Night Live, and Austin City Limits, as well as several unreleased concert performances.

Judd Apatow, who co-produced the set with Wainwright, and who credits the artist as a great influence on his own career, writes in his introduction “I wanted to do what he has always done: to be brutally honest, emotional, hilarious and sweet all at the same time. Whenever I wonder what my tone might be, if I am confused, I just listen to a Loudon Wainwright song.”

In his essay, David Wild notes that “Wainwright has long been one of our most fearless troubadours. His art is fearless even though his songs are shot full of fear and fun, false pride, tortured insecurity and a lovely and graceful kind of self-deprecating genius. Whether he’s being devastatingly funny, fully self-lacerating or just brutally confessional, Loudon Wainwright III has always been a writer who sharply expresses his own distinct point of view on our larger human comedy.”

The New York-born Grammy-winning songwriter has traveled quite a path. Discovered by Atlantic’s Nesuhi Ertegun and John Hammond, Sr., the Columbia A&R man who had already signed Bob Dylan and would soon sign Bruce Springsteen, Wainwright established his literary yet utterly unpretentious take on the grand folk music tradition right from the start. The son of Loudon Wainwright II, a prominent editor and columnist for Life magazine, Wainwright III studied acting at Carnegie Mellon University before dropping out to pursue a music career. After a short time performing at clubs in Boston and New York City, he signed his first record deal, in 1968. As Wainwright recalls, “I made the first two albums that were critical successes, but no one bought them, and Atlantic dropped me. So then Clive Davis signed me at Columbia with the understanding that I’d actually try and play with some other musicians too.”

A year or two later Wainwright appeared, albeit fleetingly, as Captain Spaulding — “the singing surgeon” — on three episodes during the third season of the historic television series M*A*S*H. That was the opening salvo of an impressive second career for Wainwright — as an actor. He played a fantastically flawed father on the Fox TV series Undeclared, his first in a series of projects with Apatow. He has also appeared in such films as Jacknife, 28 Days, Big Fish, The Aviator, Elizabethtown and Apatow’s The 40-Year-Old Virgin and Knocked Up, in which Wainwright played an obstetrician and contributed some fantastic songs, including “Daughter” (written by Peter Blegvad) and “Grey In L.A.”

’40 Odd Years’ — which gathers together all of Loudon Wainwright III’s best work — displays his unique approach to music making. Rather than write about global politics or simply sing shallow love songs, Wainwright has focused on writing about life’s more domestic, and ultimately universal, aspects. He has written extensively about family and his children, three of whom – Rufus Wainwright, Martha Wainwright, and Lucy Wainwright Roche – are songwriters. Other themes include love, lust and the horrible and unkind things we do to one another in our personal lives.

“I’m lucky — it still feels like there’s work to do, and I’m doing it,” says the 64-year-old singer-songwriter. “I hate the travel, the airports, the hotels, but I love the job itself, which is writing the songs and doing the shows. As a kid I had a dream of being a performer, and lo and behold it came true. Not only that but it turned out I was a writer, something I didn’t necessarily want to become, probably because my old man seemed so tortured and miserable about his work. But I became one anyway. So now the plan is to keep performing and writing for as long as possible.”

40 Odd Years Track Listing:

Disc One: Disc Two:
1. School Days 1. Westchester County
2. I Don’t Care 2. I’m Alright
3. Uptown 3. Screaming Issue
4. Be Careful There’s A Baby In The House 4. Unhappy Anniversary
5. Saw Your Name In The Paper 5. Your Mother And I
6. Dead Skunk 6. Synchronicity
7. New Paint 7. Hard Day On The Planet
8. Drinking Song 8. You Don’t Want To Know
9. Swimming Song 9. Bill Of Goods
10. Dilated To Meet You 10. Thanksgiving
11. Down Drinking At The Bar 11. Your Father’s Car
12. The Man Who Couldn’t Cry 12. When I’m At Your House
13. Whatever Happened To Us? 13. The Picture
14. Crime Of Passion 14. Men
15. Kick In The Head 15. So Many Songs
16. Summer’s Almost Over 16. Tip That Waitress
17. Just Like President Thieu 17. I’d Rather Be Lonely
18. Golfin’ Blues 18. April Fool’s Day Morn
19. The Heckler 19. The Acid Song
20. Natural Disaster 20. IWIWAL
21. Red Guitar 21. A Year
22. Hollywood Hopeful 22. Dreaming
23. IDTTYWLM
24. The Grammy Song

Disc Three: Disc Four (Rare and Unreleased):
1. So Damn Happy 1. Weave Room Blues (with Kate McGarrigle)
2. Primrose Hill 2. McSorley’s
3. Bein’ A Dad 3. Black Uncle Remus (demo with band)
4. Four Mirrors 4. Funny Having Money
5. It’s Love And I Hate It 5. The Hardy Boys At The Y (with The Boys Of The Lough)
6. Christmas Morning 6. Laid
7. Pretty Good Day 7. Outsidey
8. White Winos 8. Somethin’ Stupid (with Barry Humpries)
9. Bed 9. The Miles
10. Surviving Twin 10. So Good So Far (live from The Bottom Line)
11. The Shit Song 11. Big Fish
12. Between 12. No Sure Way
13. My Biggest Fan 13. Hey There Second Grader
14. When You Leave 14. More I Cannot Wish You
15. Make Your Mother Mad 15. Florida (Lucky You)
16. Daughter 16. Hank & Fred (live at KGSR, Austin, TX, Dec. 5, 2003)
17. Grey In L.A. 17. Your Eyes
18. Muse Blues 18. Dead Man
19. Motel Blues 19. At The End Of A Long Lonely Day (with Suzzy Roche)
20. The Deal
21. Rowena
22. High Wide & Handsome

Disc Five – DVD:

One Man Guy
1993 Dutch television documentary

BBC4 Sessions: Loudon Wainwright: One Man Guy
Filmed at Bush Hall, London, on May 2, 2005
“One Man Guy”
“Heaven”
“When You Leave”
“Half Fist”

Loudon Wainwright III at The BBC
Aired on September 23, 2005
“Reciprocity”
“Roll In My Sweet Baby’s Arms”
“Unrequited To The Nth Degree”
“Dump The Dog And Feed The Garbage”
“Glad To See You’ve Got Religion”
“Motel Blues”
“Rufus Is A Tit Man”
“Cardboard Boxes”
“Thanksgiving”
“Hitting You”
“Career Moves”

Dead Man
Filmed on May 24, 2010; recording session documentary

Entertainment Desk
Aired on Canadian television in 1995
“The End Has Begun” with Martha Wainwright

High Wide & Handsome – The Charlie Poole Project
Filmed in 2009 for documentary on making of album
“My Mother And My Sweetheart” with Rufus Wainwright

The Basement
Filmed in Sydney, Australia in 2008
“Needless To Say” with Lucy Wainwright Roche

Austin City Limits
“Lullaby” (January 13, 1988)
“Living Alone” (February 16, 1999)
“Homeless” (February 16, 1999)
“Tonya’s Twirls” (February 16, 1999)
“OGM” (February 16, 1999)

Saturday Night Live
Aired on NBC on November 15, 1975
“Bicentennial”
“Unrequited To The Nth Degree”

The Garfield House
Filmed on May 24, 2010
“New Paint” with Joe Henry & Greg Leisz
“Absence Makes The Heart Grow Fonder” with Joe Henry & Greg Leisz
“Roll In My Sweet Baby’s Arms” with Christopher Guest
“June Apple” with Christopher Guest
“Unhappy Anniversary” with Christopher Guest
“Kings And Queens” with George Gerdes

826LA Benefit
Filmed on January 16, 2007
“Grey In L.A.”
“Daughter”

PBS Soundstage
Aired on February 2, 1977
“Kick In The Head”

McCabe’s Guitar Shop
Filmed on February 3, 2007
“Passion Play”

The Mike Douglas Show
Aired on April 25, 1978
Interview and “Fear With Flying”

Nightline
Aired on ABC on June 22, 2005
“A Father And A Son”

Carrott Confidential
Aired on BBC on February 14, 1987
“IDTTYWLM”

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Rare Dylan folk festival performance in 1963 to be released


A previously unknown live recording of a 21-year-old Bob Dylan will be released by Columbia Records/Legacy on digital, CD and vinyl on April 10. Taped at the Brandeis First Annual Folk Festival in Waltham, Massachusetts on May 10, 1963, “Bob Dylan In Concert – Brandeis University 1963″ captures the young artist on-stage, in front of an appreciative audience two weeks prior to the release of “The Freewheelin’ Bob Dylan” (May 27, 1963).

“The Bob Dylan In Concert – Brandeis University 1963″ concert tape was discovered recently in the archives of the noted music writer and Rolling Stone co-founder Ralph Gleason, where it sat on a shelf for more than forty years. “It had been forgotten, until it was found last year in the clearing of the house after my mother died,” said Toby Gleason, Ralph’s son. “It’s a seven inch reel-to-reel that sounds like it was taped from the mixing desk.”

Drawn from two sets that spring night at the Brandeis Folk Festival, tracks on “Bob Dylan In Concert – Brandeis University 1963″ include “Honey, Just Allow Me On More Chance” (incomplete), “Talkin’ John Birch Paranoid Blues,” “Ballad Of Hollis Brown,” “Masters of War,” “Talkin’ World War III Blues,” “Bob Dylan’s Dream,” and “Talkin’ Bear Mountain Picnic Massacre Blues.”

Previously available as a limited time offer, “Bob Dylan In Concert – Brandeis University 1963″ is being reissued in response to overwhelming popular demand for a wide release. The new Columbia/Legacy edition features liner notes penned exclusively for this release by noted Bob Dylan scholar Michael Gray, author of The Bob Dylan Encyclopedia and the three-volume “Song & Dance Man: The Art of Bob Dylan,” provided an explication of the album’s seven songs and historical/cultural context for the performances.

“It’s a small miracle this recording exists,” Gray writes in his essay. “Clearly a professional recording…. (t)he Bob Dylan performance it captured, from way back when Kennedy was President and the Beatles hadn’t yet reached America, wasn’t even on fans’ radar…. It reveals him not at any Big Moment but giving a performance like his folk club sets of the period: repertoire from an ordinary working day….Dylan has leapt a creative canyon with this material….This is the last live performance we have of Bob Dylan before he becomes a star….”

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