Tag Archive | "hard rock"

Eddie Trunk’s book about the hard rock/metal experience is essential


By Pat Prince

There may be no bigger personality in heavy metal/hard rock. Eddie Trunk’s name is known and appreciated by all those who love this type of music. His vast knowledge of these genres — coupled with his television shows, radio broadcasts and Web sites — have enlightened many of the hard ‘n heavy flock. His has an ear for talent and a solid interest in all the music news and debates listeners crave.

This year, he has put out a welcomed book, “Eddie Trunk’s Essential Hard Rock and Heavy Metal” which describes the impact heavy music has had on him as a music lover and an individual. Part guidebook and part diary, it’s hard not to love all expressed in the book’s pages. As any dedicated fan, Trunk shares his passions and experiences in a musical universe that matters so much to him. If you understand this kind of passion and commitment to a particular type of music, you will love everything about this new Eddie Trunk book.

“The rewarding thing about it is that I’ve gotten unanimously amazing response from it,” says Trunk. “From fans and critics alike. It’s really cool to see it connect with so many people who love this music on so many different levels.”

As mentioned above, “Eddie Trunk’s Essential Hard Rock and Heavy Metal” (buy it now) is a nice combination of music history and personal anecdotes, formatted into different chapters on significant bands of the hard and heavy genre. One of the forefathers of Heavy Metal, Judas Priest’s Rob Halford, called Eddie Trunk “the living, breathing backstage pass” and the book does add a real backstage experience that many music fans would never get the opportunity to know about.

“That’s exactly where I was going with it. I would still like to do an autobiography some day. Maybe that will come at some point but I find that when you still need to work in this business — as I do — it’s kind of hard to write the way you want to write it because you have to be brutally honest and say the negatives,” laughs Trunk.

“I never shied away from that,” he continues, “in all the things I do now but I just feel that’s probably something better done when I’m starting to faze out of the business a little bit.”

“But this book became a hybrid of a lot of different things. It became a hybrid of the photos tying in with the stories, an overview of these artists, a list of sorts with the playlists, some anecdotes with “Did You Know?” stuff — and just about every single band featured in the main chapters has at least one personal story. So there’s really something in there for everybody, depending on what you are looking to get out of it. And for me it was a great first introduction into the publishing world. … being the fist book it was the best kind of way to put my toe in there.”

One story has Guns N’ Roses guitarist Slash trying to take special-edition CD sets from Eddie’s personal collection. But it was not seen as a malicious act. “He was a fan and he wanted them. But he didn’t want to go to the store and buy them at the time,” explains Trunk. “He tried to pull out his money and just pay me for them. And the thing I was most proud about in that particular story is that I stuck to my guns. Even though he was Slash I didn’t cave and say ‘Take them.’ I physically took them from him and told him ‘Get out of here.’”

Over the years, Eddie Trunk gave away most of his vinyl collection and replaced it with newer formats. However, he has been smart enough to keep his collection of unique vinyl and other material. “The one thing I collected as a kid was U.K. imports, and U.K. magazines. I would go to a record store all the time and buy Kerrang! when it came out and then I was really big into buying singles because in England they would always release 12-inch singles of all these bands I loved. And you only could get them in England. They always had really cool jackets and stuff, and there were also picture discs and things like that. Those were the one things I was smart enough to keep when I decided to dump a lot of the vinyl. The vinyl I dumped was just regular catalog titles. And also, being in radio back in the days when vinyl was played on the radio, I have a lot of the promotional singles as well. And working at a record store for years I have a ton of 45s and picture sleeves, even non-heavy rock stuff. like a Prince 45 of “Purple Rain” on purple vinyl. I knew from working in a record store that when anything came out as a picture sleeve it was a big deal. You used to have customers who would come in and they didn’t care who the band was or what the song was, as long as it was a picture sleeve they would buy it.”

Trunk realizes the street cred Goldmine has in the music collecting community. Once looking for hard-to-find items from the band Piper, he immediately turned to Goldmine. “I took an ad out in Goldmine long before the internet. Billy Squier had a band called Piper on A&M, prior to being solo, and I loved the two albums of Piper and I was dying to get them on CD. I even talked to Billy himself and he knew that Japan had issued a limited run and he didn’t even have it himself. So I needed a way to put the word out, so I took an ad out in Goldmine, and I ended up getting a response from a record store in Indiana. After getting them I burned a copy of each as a safety and then I started hearing rumblings that Universal in the U.S. was going to put them out in a new edition. So before the word got out on that I thought,’Let me dump these things.’ I took another ad out in Goldmine and sold them,” he laughs. “But then I freaked out because they ended up canceling the U.S. releases. Ironically, a few years ago, a label called American Beat finally put them out in the U.S., both albums on one disc. So I felt a little redeemed but it was touch and go there for a while.”

This kind of passion for music is contained in the 240 pages of “Eddie Trunk’s Essential Hard Rock and Heavy Metal.” Yes, the book does go behind the scenes of Eddie’s professional career (VH1 Classic’s That Metal Show, Sirius/XM radio’s Eddie Trunk Live, the FM-syndicated Eddie Trunk Rocks, etc) but it goes beyond that — it goes to the core of what it is to be a die-hard fan. Plainly speaking, it’s a music book that truly is essential.

Note: Goldmine’s online store is offering a special savings on the purchase of “Eddie Trunk’s Essential Hard Rock and Heavy Metal.” Click here to check it out.

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10 Albums that changed Eddie Trunk’s life


Eddie Trunk

Metal guru Eddie Trunk, of VH-1's "That Metal Show," among other ventures. Publicity photo

Eddie Trunk eats, sleeps and breathes hard rock and heavy metal. He knows stuff about groups that even the members don’t know, or at best, have forgotten. Thankfully, Eddie uses his superpowers for good, not evil, as host of VH1’s “That Metal Show,” Sirius/XM’s “Eddie Trunk Live” and the syndicated “Eddie Trunk Rocks” on New York’s Q104.3 FM.

His new book is “Eddie Trunk’s Essential Hard Rock and Heavy Metal,” which, trust us, really is an essential volume you need to add to your music library. Here’s a look at the music that changed Eddie Trunk’s life.

1. Raspberries, “Go All The Way” — “Go All The Way” was the first time I ever heard distorted electric guitar and power chords. I was a kid in my parents’ back seat, and it came through the AM radio, and my hair stood up. Raspberries were the first real rock I ever heard, and I was consumed instantly.

2. KISS, “Destroyer” — The first real heavy rock I heard and the band that really started it all for me as a crazed fan. This was my first Kiss album. I remember dropping the needle, hearing “Detroit Rock City” and starring at the cover of the album. I was 12 and Kiss changed my life and set me on a path of rock obsession I’m still on!

3. UFO, “Strangers in The Night” — One of the greatest live album of all time and one of my favorite albums ever. Tragically underrated melodic hard rock by one of my all-time favorite bands. This is them at their peak.

4. Aerosmith, “Toys in the Attic” — I actually like “Rocks” better, but “Toys” was my first, and after KISS, Aerosmith became my next big obsession.

5. Billy Squier, “Don’t Say No” — The first album I ever cued up on a college station while still in high school. Billy is a tremendous talent, and this is one of his greatest albums.

6. Metallica, “Kill ’Em All” — The first real thrash I ever heard. I was in my first year of metal radio and Jonny Z drove to my studio and asked me to play this when nobody else would. I did, had no idea what I was hearing, but knew it was a game changer.

7. Judas Priest, “British Steel” — Classic British metal at its finest from one of the gods of the genre.

8. Ace Frehley, “Frehley’s Comet” — The first artist I ever had a hand in signing to a label and working in the studio with. Nine years after my first show ever (KISS @ MSG), I had signed the band’s lead guitarist to his first solo deal and was in the studio with him.

9. Black Sabbath, “Heaven & Hell” — The Dio Sabbath was my introduction to the band, then I went back and discovered the other stuff, but this album is amazing, and Dio was a god.

10. Van Halen, “Van Halen” — I remember getting this album from a record club. I knew I was hearing something that was going to change everything instantly.

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10 Albums that changed Eddie Trunk’s life


Eddie Trunk eats, sleeps and breathes hard rock and heavy metal. He knows stuff about groups that even the members don’t know, or at best, have forgotten. Thankfully, Eddie uses his superpowers for good, not evil, as host of VH1’s “That Metal Show,” Sirius/XM’s “Eddie Trunk Live” and the syndicated “Eddie Trunk Rocks” on New York’s Q104.3 FM His new book is “Eddie Trunk’s Essential Hard Rock and Heavy Metal,” which, trust us, really is an essential volume you need to add to your music library (To purchase this book at 15% off in Goldmine’s store, click here!). Here’s a look at the music that changed Eddie Trunk’s life.

 

 

Raspberries
Go All The Way

“Go All The Way” was the first time I ever heard distorted electric guitar and power chords. I was a kid in my parents’ back seat, and it came through the AM radio, and my hair stood up. Raspberries were the first real rock I ever heard, and I was consumed instantly.

KISS
Destroyer

The first real heavy rock I heard and the band that really started it all for me as a crazed fan. This was my first Kiss album. I remember dropping the needle, hearing “Detroit Rock City” and starring at the cover of the album. I was 12 and Kiss changed my life and set me on a path of rock obsession I’m still on!

UFO
Strangers in the Night

One of the greatest live album of all time and one of my favorite albums ever. Tragically underrated melodic hard rock by one of my all-time favorite bands. This is them at their peak.

Aerosmith
Toys In The Attic
I actually like “Rocks” better, but “Toys” was my first, and after Kiss, Aerosmith became my next big obsession.

Billy Squier
Don’t Say No
The first album I ever cued up on a college station while still in high school. Billy is a tremendous talent and this is one of his greatest albums.

Metallica
Kill ’Em All
The first real thrash I ever heard. I was in my first year of metal radio and Jonny Z drove to my studio and asked me to play this when nobody else would. I did, had no idea what I was hearing, but knew it was a game changer.

Judas Priest
British Steel
Classic British metal at its finest from one of the gods of the genre.

Ace Frehley
Frehley’s Comet
The first artist I ever had a hand in signing to a label and working in the studio with. Nine years after my first show ever (KISS @ MSG), I had signed the band’s lead guitarist to his first solo deal and was in the studio with him.

Black Sabbath
Heaven & Hell
The Dio Sabbath was my introduction to the band, then I went back and discovered the other stuff, but this album is amazing, and Dio was a god.

Van Halen
Van Halen
I remember getting this album from a record club. I knew I was hearing something that was going to change everything instantly.

 


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Rival Sons give rejuvination to a classic hard rock sound


By Patrick Prince

Anyone out there who worships the hard rock/heavy blues sounds of Led Zeppelin and Deep Purple — the electric classic rock sound of the ’70s — will simply love the L.A.-based band Rival Sons. In fact, they are one of the best sounding bands in years.

Sometimes labeled rock revivalists, Rival Sons hit the scene running with 2009′s magnificent “Before the Fire,” then a self-titled EP in January of this year followed. Comprised of vocalist Jay Buchanan, guitarist Scott Holiday, bassist Robin Everhart and drummer Michael Miley, the band has already toured with the likes of AC/DC, Alice Cooper, Judas Priest and Queensryche and even juiced up a few soundtracks to car commercials on American television. Their new album ”Pressure and Time” on Earache Records was released on July 26 (check it out here).

Rival Sons, L to R: Michael Miley, Scott Holiday, Robin Everhart and Jay Buchanan

In July, before the release of the newest album, Jay Buchanan answered a few of our questions.

Why an EP release this year?
Jay Buchanan: We’d had plans to hop in the studio and snap off a few to tape and print some vinyl before we’d had any interest in signing with Earache and we knew we’d be signing with someone very quickly so we wanted one last independent swing. Once we did record the EP, we signed with Earache, hit the road for two months and started recording the LP the day after we drove in so there wasn’t much time in between the two sessions.

Are you satisfied with the way the “Pressure and Time” LP turned out?
Buchanan: It’s good enough as a snapshot of where the band was a couple months ago I suppose but as of now I’m pretty much over it. My focus is on the next record.

What statement are you trying to make with this album?
Buchanan: Statement? No way. It would be easy and predictable to feed you a line of bullshit about how calculated and thoughtful we are but we wrote on a song to song basis. It was a very rowdy twenty consecutive days with no time for high fives.

How would you say this differs from the last releases, “Before the Fire”?
Buchanan: The last release had us recording material we’d worked out live so the songs were naturally more long form whereas this release is on the spot writing and first takes.

Do you like the classic hard rock comparisons? Led Zeppelin, Deep Purple ….
Buchanan: It is what it is. Those are legendary bands in the world of rock, so what’s not to like? If you walk into a pub and people tell you that you remind them of James Dean or Steve McQueen, what are you going to do, get upset? No way. You’d do what anybody would: take the free drinks and get laid.

Some feel there aren’t enough bands like Rival Sons out there nowadays: classic rock, old school, heavy electric blues … whatever you want to call it. Don’t you think you fill a void?
Buchanan:
Whether or not we fill any void is for somebody else to decide, we just make the music and people will do what they like with it regardless of what I think..

Have you heard of the band Black Country Communion? … they rock a similar sound…
Buchanan: Black Country Communion? Rock band. There’s no denying Glenn’s vocal range and prowess but I don’t hear nearly enough blues in their sound to legitimately call it rock ‘n’ roll.

How would you describe your music?
Buchanan: Rock ‘n’ roll.

How is the SO. CAL music scene now?
Buchanan: Good as it’s ever been I’d guess. Los Angeles is always hungry and ready to devour the dreams and break the body of anyone willing to move there trying to “make it.”

Is there some disappointment in L.A., i.e., a song called “Burn Down Los Angeles”?
Buchanan: I wouldn’t think so, Los Angeles is always catching fire these days. The song is about thriving in the belly of the beast, not actually setting it to fire.

Your music has been featured in a few TV commercials …?
Buchanan: Yep, got bills to pay and grits ain’t groceries.

Were you psyched about the European tour? Have you been to Europe before?
Buchanan: Europe is wonderful, yes. Just got home from a U.S. tour yesterday, have just enough time to laundry the contents of my luggage and pack them back in before we leave again in a couple days.

What do you think of being packaged on tour with Judas Priest and Queensryche?
Buchanan: Either way we come out swinging and kicking every night so no one will be walking away clean.

Do you like playing big festivals? Sonisphere, for example. Would you rather play clubs?
Buchanan: Festivals and clubs are two different beasts entirely. If we’re on, we’re on and that’s the key to any show.

For more information, go to www.rivalsons.com

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