Tag Archive | "music memorabilia"

Speaking to doo-wop royalty


Rich Rosen's "Stormy Weather" acetate

By Pat Prince

 

Rich Rosen, owner of Wax Trax Records in Nevada, was once called “the white god of rock ‘n’ roll music” by a record collector in Japan. Others have simply known him as “The King of Doo-wop.” Neither nickname is surprising for a man who has spent his entire life searching for the rarest records in the doo-wop genre.

Rosen has owned Wax Trax Records for over forty years, starting the business from his home in Brooklyn, New York. From Brooklyn he moved to Pennsylvania before eventually settling in Las Vegas. But his interest in record collecting goes back to his childhood. “One time I was home sick with a cold,” Rosen explains, “and I sent my father out with a list of 45s that I was looking for. Out of a list of 25, he got me four records. My father was the best and if he didn’t get it for me, something was wrong. So I said, ‘You know something? Records are going to become scarce (one day). Certain records are not going to be found.’ That’s when I decided to start collecting records, and searching for them.”

Rosen had a good ear for music, seeking out artists that many had overlooked; this is where the tag “King of Doo-wop” began to stick. “They all knew I was digging up records that nobody had picked before,” explains Rosen. “In other words, the other dealers were passing up things because they didn’t know what they were. What I would do is sit and listen.”

Rich Rosen with “Stormy Weather”

Collecting doo-wop would soon become the way Rosen earned his living. His main way of collecting would be “buying out” music publishers in New York City. He would contact music publishers in New York City and ask them if they had any old records to sell. At times, the publishers would sell Rosen all the existing “old” vinyl they had in storage. His search, of course, eventually expanded to record stores. One such search in the 1970s brought him to a record store he remembers as “Branfords” in New Jersey. It was there where he would purchase what he calls the holy grail of doo-wop, a Stormy Weather acetate disc — an item that Rosen feels can earn him over twenty-thousand dollars one day.

“I walked into this record store in New Jersey that was in a burned-out area,” says Rosen. “I asked if they had any old records. The person behind the counter said that they had a basement with a lot of old records, and no one had been down there in a long time. So they give me a miner’s cap — one with a light on it — and I climbed down. It was like a bomb shelter of sorts with a ladder going down. And I’m looking all over the place. I’m finding great jazz and Blue notes and stuff like that and then there was this stove but it was not against the wall. I wondered why and saw records were holding the stove back.”

Lo and behold, the vinyl slueth would pick up the record of his dreams. “I put my hand down there expecting to be bitten by a rat,” Rosen continues, “and I picked up a handful of records. And the top record was a 78 of “I Live True To You” by the Larks on Apollo and right underneath was the acetate of “Stormy Weather” by the Five Sharps. I was so nervous that I wet my pants because I’m saying to myself ‘How do I get out of this store with this record?’ I didn’t know what to do, so I just threw it into a box with some other albums and 45s and walked up (to the counter) and they said ‘Give me twenty bucks for the box’ and I just said ‘You got it.’”

When the crowned “King of Doo-wop” moved to Vegas about twelve years ago, he immediately became involved in the music community. He convinced the radio station KLAV 1230 AM to take him on as a doo-wop disc jockey, and ever since he has been producing a doo-wop show at 7 to 9pm every Monday night called the Street Harmony Revue. “I felt like my love for doo-wop should be shared by everybody” says Rosen, “and my radio show is considered to be one of the best doo-wop shows on the airwaves. What I do is single out the better songs, and I have a lot of unreleased stuff, from when I used to buy out the publishers in New York.” Tune in and you will get a chance to hear doo-wop’s most beloved and most obscure. Top requests on the show have been “Summertime Angel” by Intentions on Jamie Records, “Heavenly Bliss” by Classic IV on Twist Records, and “What a Night For Love” by the Notations on Wonder.

As far as still finding rare records, Rich Rosen has never given up hope that people will keep unearthing them in basements and attics everywhere. “One man recently walked in to Wax Trax with a pile of records,” Rosen says. “It contained “It’s Too Soon To Know” by the Orioles on Jubilee, “Please Remember My Heart” by the Solitaires on Old Town and about 50-60 records of that caliber. Most were not mint but there was one record that was,worth $4,000: The Encores on Checker.”

He adds, “So, you never know what’s going to walk in off the street.”

 

Rich Rosen’s List of The 20 Rarest Doo-Wop Records
In alphabetical order by label
• Admiral 913 / “Please Be My Love” / The Spirals
• Cameron 1 / “I’m Looking Over” / Tony Evans & Group
• Chelton Ham 1001 / “Remember Me Baby” / Billy & The Essentials
• Club 1011 / “Darling Come Back” / Patty Cordell & The Crescenets
• Comet 2147 / “Wonderful” / Stan Vincent & The Del-Satins
• Delsey 301 / “Sugar Girl” / Lenny Rocco
• Guyden 2087 / “Only Girl For Me” / Bobby Young
• Hawk 153 / “I Still Love You” / Joey & The Ovations
• Herald 569 / “Betty My Own” / Tony Maresca & The Dynamics
• Jamie 1252 / “Summertime Angel” / The Intentions
• Little 813 / “Lorraine” / Joey Dee
• Little Star 112 / “Baby” / The Quarter-Notes
• Orange East / “My Girl” / Tony Dell
• Planet 1048 / “The Wonderful Years” / Barry & The High Lights
• Stasi 1002 / “Every Road” / Anastasia
• Tropelco 1007 / “Lover’s Bells” / The Royal Boys
• UWR 900 / “Rain” / The Demolyrs
• Valley 302 / “Yo Yo Girl” / Dickie & The Debonairs
• Wonder 100 / “Chapel Doors” / The Notations
• Zooma 101 / “My Dream” / The Clee-Shays

Rich Rosen’s 20 Most Wanted Records*
• Aladdin 3449 / “Two Lovers” / The Blenders
• Bardo 529 / “Please Come Back” / The Fi-Dels
• Brooks 2000 / “Baby” / The Carribeans
• CeeBee 1062 / “Oh Why” / The Softones
• Central 2605 / “Blue & Lonely” / The Pretenders
• Chase 1600 / “Write Me” / The Remarkables
• Cyclone 5012 / “If I Could Hold Your Hand” / The Calendars
• De Besth 1124 / “I Want You” / The Five Crowns
• Gee 10 / “Blue” / The Coins
• Gone 5010 (Black) / “Lamp Light” / The Deltas
• Lessie 99 / “That’s My Girl” / De Jan & The Elgins
• Mark 146 / “Tell Me A Lie” / The Charm Kings
• Markay 108 / “Pardon Me” / The Cezannes
• Marlin 803 / “Frankie My Eyes Are On You” / Little Iris Culmer
• Moon 109 / “Crying” / The Endorsers
• Planet X 9621 / “I Want” / Henry Sawyer & The Jupiters
• Play 1002 / “I Thank Heaven” / The Tone Blenders
• Rama 215 / “My Foolish Heart” / The Joytones
• Teen 121 / “What Is Your Name Dear” / The Ebb Tides
• Tops / “Heaven Sent You” / The Concepts

*Listed in alphabetical order by label. Rosen started off collecting Doo-Wop and Ihen ventured into R&B. He still collects Doo-Wop, but it seems that most of his want list, below, is R&B, or you could say R&B oddities – things that have eluded him during his 45 years of collecting records.

Wax Trax Records is located in the Westside neighborhood of Las Vegas, Nevada. 2909 S Decatur Blvd, Las Vegas, NV 89102. Owner Rich Rosen,“The King of Doo-wop,” can be contacted at (702) 362-4300 or waxtraxinc@aol.com

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Collector supply directory


Acoustic Sounds
P.O. Box 1905
605 W. North St.
Salina, KS, 67402-1905
785-825-8609
store.acousticsounds.com

Bags Unlimited
1-800-767-2247
www.bagsunlimited.com

FingerPop
PO Box 68842
Indianapolis, IN 46268
(317) 228-2200 or Toll Free 1-888-423-9222
http://www.fingerpop.com

Jerry Raskin’s Needle Doctor
6006 Excelsior Blvd.
St. Louis Park, MN 55416
Toll Free: 800-229-0644
Local: 612-378-0543
www.needledoctor.com

Needles4Turntables
27 Heatherstone Rd
Amherst, MA 01002
www.needles4turntables.com
Email: Sales@Needles4Turntables.com

NeedleFinder.Net
305-386-2668
www.needlefinder.net

Nitty Gritty, Inc.
4650 Arrow Hwy. #F4,
Montclair, CA 91763
(888) 4-GRITTY (888-447-4889) USA only
(909) 625-5525
fax (909) 625-5526
gayle@nittygrittyinc.com
www.nittygrittyinc.com

Sefour Vinyl Storage Towers
60 Industrial Pkway.
Cheektowaga, NY
14227
646 374 1985
www.sefour.com

Sleeve City
7600 Appling Center Dr Ste 102
Memphis TN 38133
866-380-4168
www.sleevetown.com

Spin-Clean® International
P.O. Box 15200
Pittsburgh, PA 15237-0200
1-800-931-5850
www.spincleanrecordwasher.com

Tracertek
Toll Free: 866 260 6376
PO Box 189
Windsor, PA 17366
www.tracertek.com

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Bonhams, London’s Hard Rock Cafe team up for ‘Antiques Rockshow’


Hard Rock CafeWonder what your signed Beatles LP is worth, or what that original Rolling Stones tour poster you ripped of the wall in the ’70s might sell for? Here’s your chance to find out.

Specialists from Bonhams Auction House are teaming up with the Hard Rock Cafe in London to host the first “Antiques Rockshow;” they will value “any genuine piece of music history,” according to a Hard Rock Cafe news release. The event will run from 11 a.m. to 4 p.m. local time May 18, 2011.

Those who participate in the Rockshow also may have the option to add their items to Bonhams’ upcoming Entertainment Memorabilia Auction, which will begin at 1 p.m. local time June 29, 2011, at the firm’s Knightsbridge location in England. No further details are available about the sale at this time.

The London Hard Rock Cafe celebrates 40 years in business this year. The first in what went on to become a worldwide chain, the London Hard Rock opened June 14, 1971. It also is home to  the first-ever piece of memorabilia donated to the Hard Rock Cafe: Eric Clapton’s Lead II Fender, which was originally donated to reserve a space at the busy bar.

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Guitar and amp makers go pink for a good cause


By Chris M. Junior

THERE ARE CUSTOM-BUILT GUITARS, AND THEN THERE ARE ONE-OF-A-KIND GUITARS that were created specifically for The Pinkburst Project, which was founded by Jay Jay French of Twisted Sister.

Jay Jay French and his daughter, Samantha.

The Pinkburst Project’s collection features 13 pink, custom-made guitars crafted by such leading brands as Fender, Gibson, Gretsch and Martin. Pinkburst also includes 12 custom pink amplifiers built by Marshall, Hartke, Vox and other industry leaders.

It takes a unique cause to bring together so many rival guitar and amp companies. Raising money to find a cure for uveitis — an inflammatory eye condition that, if left untreated, can lead to permanent vision loss — and to research other ocular diseases certainly qualifies as such. Raising money is the goal on May 1, when Skinner Auctioneers and Appraisers of Boston will put the entire Pinkburst Project collection up for bid, with proceeds benefiting The Ocular Immunology and Uveitis Foundation.

French has a personal connection to uveitis; Samantha, his teenage daughter, was diagnosed with the disease at age 6 and has been under careful treatment. And it was a few years ago, after returning from an appointment about her condition, that French started to think about how he could raise money for uveitis research.

His eye-catching pink Gibson Les Paul got the ball rolling. Sitting in his office one day, French wondered if he could get other major guitar makers to custom build guitars that included some of the features similar to his Gibson, among them the same pink finish.

“When I was asked what I was going to do with these guitars, I said I would make a calendar [featuring them] and sell it,” French recalls. “Then over time, these guitars start coming in … [and I realized] I was going to have 13 of these one-off guitars that have never been done before. So I said screw the calendar: Maybe I should just sell them at an auction.”

French took the concept one step further by combining the guitars “with the amplifier that made each guitar famous.”

“I did all my research — which guitars work [best] with certain amps,” French explains. “To be honest with you, any guitar works with any amp. But I think guitar players are historically connected and understand, for example, that a Gretsch and a Vox are married.”

French handled all of the discussions with the guitar makers about each one including features not typically associated with their respective brands for his Pinkburst Project collection. For the custom amplifiers, he turned to Harley Hoffman of Kayline Processing in New Jersey for help to get everybody to use the same vinyl covering. According to French, Hoffman’s company had created a special batch of material that was previously unused. There was enough of it for at least a dozen amps, so Hoffman offered to call the amplifier makers and make the pitch. Originally, French only wanted iconic companies for The Pinkburst Project collection. But that changed once he decided to include a custom guitar from Ruokangas, a company based in Finland and named after founder, designer and builder Juha Ruokangas.

“Ruokangas makes, in my opinion, one of the finest boutique guitars in the world,” French says. “My girlfriend said to me, ‘If you believe that this guy is so great, then he’s a future iconic guitar maker, and you should let one future iconic maker into this collection.’”

The Ruokangas guitar needed an appropriate amp pairing, and French found a match when he contacted Diamond Industries, which offered the first of its new Positron series.

Twisted Sister fans, take note: The Pinkburst Project custom collection being auctioned May 1 will include the French-owned and stage-played Gibson that inspired his fundraising efforts.

“I had all of the guitars in my house for a few years,” French says, “and this guy picked them up a few weeks ago and drove them out of here. My girlfriend asked me, ‘How do you feel?’ And I said, ‘I feel like my adopted daughters were just picked up to get married.’”
Bids for The Pinkburst Project guitars and amplifiers will be accepted in person, online and by absentee bid. Visit pinkburstproject.org or skinnerinc.com for details.

PINKBURST GUITARS
• Gibson Les Paul, $7,500-$9,000
• Gibson SG, $3,500-$5,000
• Gibson ES-335, $4,500-$6,000
• Gibson J-200, $4,500-$6,000
• Fender Stratocaster, $3,250-$4,000
• Fender Telecaster, $2,800-$3,400
• Fender Jazz Bass, $3,250-$4,000
• Gretsch 6118TCS, $4,250-$5,000
• Epiphone Les Paul, $3,000-$4,000
• Epiphone Thunderbird bass, $3,000-$4,000
• Paul Reed Smith, Customer 24, $4,250-$5,000
• Juha Ruokangas, Duke Classic, $4,000-$6,000
• C.F. Martin & Co., Style 000-18, $3,200-$4,000

PINKBURST AMPLIFIERS

• Marshall 1959 Super Lead Half Stack, $5,500-$6,000
• Marshall JCM 800 Lead Series, $4,500-$5,000
• Marshall JTM-45 Bluesbreaker Combo, $4,000-$5,000
• Orange Rocker 30, $1,400-$1,600
• Fender Special Edition Twin Reverb, $1,700-$2,000
• Fender Deluxe Reverb, $1,300-$1,500
• Fender Bassman TV Twelve, $1,200-$1,400
• Mesa Engineering Dual Rectifier, $4,000-$4,500
• Vox AC-30 Custom Series Combo Amp, $2,200-$2,600
• Vox AC-15 Custom Series Combo Amp, $1,500-$1,700
• Diamond Amplification Positron, $2,100-$2,500
• Hartke Systems HA 2500/XL Bass System, $1,200-$1,400

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