Tribute albums usually leave me cold. Although well-meaning, most are ragtag efforts that rarely hold together as a whole, and even more rarely are the covers as compelling as the originals. To re-create something as iconic as Pink Floyd’s “The Wall” is taking the chance of chances. Sometimes the gamble pays off.
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Rupert Hine – Unshy on the Skyline and How to Pronounce “Taumata-whaka-tangi-hanga-kuayuwo-tamate-aturi-pukaku-piki-maunga-horonuku-pokaiawhen-uaka-tana-tahu-mataku-atanganu-akawa-miki-tora” (but not really)