Tag Archive | "Ritchie Blackmore"

Rock stars worship the work of Paul Rodgers


By  Jeb Wright

The Who's Pete Townshend is one of many musical icons who sing the praises of Paul Rodgers. Photo: Brad Gregory.

The Who’s Pete Townshend is one of many musical icons who sing the praises of Paul Rodgers. Photo: Brad Gregory.
A number of rock ’n’ roll greats worship Paul Rodgers and his incredible voice. What do some of the biggest names in the business have to say?
“Paul Rodgers has been, and still is, by far, one of the finest talents of our musical genre”
 — Jimmy Page

“Paul was a hero to Freddie and us when we were starting out. When I first worked with him, I was in awe of him.”
— Queen’s Brian May

“I am a huge fan. His voice is probably the greatest rock-blues voice we have here in the U.K. I remember when we first played on a show with Free, The Small Faces were on the bill. Steve Marriott and I stood stunned at the authority of Paul’s sound, style, and control. They were the tightest, simplest and straightest band alive in their time. Every one of them was a master of simplicity and dignity — a word you can rarely use in our game.”
 — The Who’s
Pete Townshend

“Even though we’ve both been in the same business for 40 years each, I don’t think we’ve ever actually met, but I’ve always admired Paul Rodgers voice and his albums with Free, The Firm and Bad Company. Long live Paul Rodgers!”
 — Ozzy Osbourne

“Paul Rodgers is the best singer in rock and roll; no one else comes close. His range, his tone, his phrasing; it doesn’t get better than him. Paul is my favorite rock-and-roll singer. I think he is perfect for Queen, and Freddy Mercury was a hard act to follow.”
— Ritchie Blackmore

“From the band “Free” in the ’60s, to the more recent years as the lead singer of Queen, I have always liked Paul Rodgers’ voice a lot. He is truly an inspiration and it’s great to see him rocking the world. Happy 40th anniversary, Paul.”
— Scorpions vocalist
 Klaus Meine

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Backstage Pass: Over the Rainbow with Joe Lynn Turner


That dynamic voice, so expressive and soulful, that graced classic material by Rainbow, Deep Purple and Yngwie Malmsteen could only belong to one man: Joe Lynn Turner.

Mostly known for his work in the hard-rock arena, Turner started out with the eclectic late-’70s outfit Fandango, singing and playing guitar on the group’s four albums. After Fandango broke up, a call from a representative of legendary guitarist Ritchie Blackmore led to a stint with Rainbow that lasted from 1981-1984. 

His smoldering vocal treatments on such Rainbow smash hits as “Stone Cold,” “Street Of Dreams” and “I Surrender” left an enduring mark on the more melodic realms of heavy metal, and Turner, today, shows no signs of slowing down.

Belting out classic tracks like “Power” and “Jealous Lover,” Turner and his band deliver a hard-charging, electrifying performance that rocks as hard as any Rainbow show ever did on Turner’s first solo concert album, Live In Germany, recently released on Blistering Records via the Frontiers label. Coming off a life-altering trip to Iraq in the fall with Big Noize — a collection of veteran metal and hard-rock performers — to visit with and play for soldiers stationed there (see the World’s Forgotten Boy blog for more reaction from Turner on the trip), Turner turned his attention to a new Sunstorm album, expected to be released in 2009.

Then, not long after this interview was conducted, word came of a Rainbow reunion of sorts — with Blackmore’s son Jurgen filling in for his father on guitar, along with Turner, Greg Smith, Tony Carey and Bobby Rondinelli  — that goes by the name of Over The Rainbow. The group is now touring overseas.

About a year ago, you headlined the United Forces of Rock festival in Ludwigsburg, Germany, performing all of your hits with Deep Purple and Rainbow, plus some outtakes from your solo album, Second Hand Life. And tapes from the show ended up becoming the Live In Germany CD. When did it become apparent to you and your label, Frontiers, that they were good enough to make a live album?

Joe Lynn Turner: Well, I’ll be honest with you. We didn’t know we were being recorded. We had come from a tour in Spain and were pretty washed out to be honest with you. We were like, OK, we got one more gig in Germany, and it’s a great gig and all that stuff, but we’re going on so late, and the crowd is going to be so tired, because they’ve been there ever since like noon.

And we didn’t go on ’til like midnight, so that’s like 12 hours of nonstop bands and rock ’n’ roll and drinking beer and God knows what else. And we just went like, OK, so let’s just go on and give ’em a great show and do what we do, but we had no idea we were recorded until we got backstage, and we were toweling off. And I think it was Ted Poley from Danger Danger … he came down and just said, “Did you guys know they have this on hard drive?” And I went, “What?”

And then I started talking to guys from Frontiers and everybody, and they said, “Yeah, we want to make this a live album.” And we kind of all looked at each other and went, “Were we OK, you know? How did we play?” We felt good about it. 

Tell us about the band that performed with you.

JLT: This band has played together for a while. I think we had one rehearsal before we went overseas, you know, just to brush up on the endings and tighten up things, but we pretty much really got tight right throughout Spain by the t

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Web Exclusive! Catch up with Candice Night of Blackmore's Night


Listen in to Goldmine’s Q&A with Candice Night, singer/songwriter and multi-instrumentalist for Blackmore’s Night, the Renaissance folk act fronted by legendary guitarist Ritchie Blackmore.

Secret Voyage is the group’s latest LP, out on SPV Records, and it has that magical blend of ancient melodies and traditional and modern instrumentation that has beguiled so many listeners in recent years.

In this unique Q&A format, we offer up the questions here, followed by a link to click on the podcasted answers from Candice Night. Just click on each link to hear Candice’s answers!

Question 1: Many of the tracks on Secret Voyage explore the folk traditions of countries such as Russia, France, Germany and England. Do you find the lines between the folk music of all those countries are blurred in some ways, or do they all have their own distinct identities?

Answer 1: Click here.

Question 2: Using that as your template, and using Renaissance instruments, it seems the possibilities are endless for Blackmore’s Night?

Answer 2: Click here



Question 3:
Is there a particular folk tradition that you are especially fond of, and does Ritchie share that?

Answer 3: Click here

Question 4: "Gilded Cage" has its roots in French folk traditions. That song has a real romantic quality, that unrequited love theme.

Answer 4: Click here

Question 5: "Toast To Tomorrow" has that celebratory Russian drinking song vibe. Is that one based on folk songs from that country that you’ve heard before?

Answer 5: Click here

Question 6: You do two very interesting covers on this record. One is your version of Elvis’ "Can’t Help Falling In Love." Why did you choose to remake that one, and how did you want to approach it?

Answer 6: Click here

Question 7: And then there’s Rainbow’s "Rainbow Eyes," which is really ethereal and sweeping here. And Ritchie’s guitar playing is otherworldly. Were you cautious at all about doing a song that Ritchie had done with another band?

Answer 7: Click here

Question 8: Where did you gain your interest in Renaissance music?

Answer 8: Click here


Question 9: A lot of your lyrics are inspired by nature and fantasy. How much does ancient  literature influence you?

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Blackmore's Night tops New Age album chart


It’s been some week for the legendary guitarist Ritchie Blackmore and singer/songwriter/multi-instrumentalist Candice Night.

The pair has been fronting the renaissance-flavored folk-rock stylings of Blackmore’s Night for over 10 years and just received word that their all-new studio CD, Secret Voyage (SPV), has remained #1 on the Billboard New Age chart for the fourth straight week.
  
“With Blackmore’s Night,” says Blackmore, “we have the creative freedom to play any style of music we want. We can play folk, rock, ballads, instrumentals or tavern songs. I couldn’t do that before.”
   
The ambiance on Secret Voyage is exacted with stunning clarity. Secret Voyage can be digested on many levels. Blackmore solos brilliantly throughout on a number of stringed instruments, including acoustic and electric guitars, mandolins and mandolas. Candice’s voice is ethereal, and she plays a variety of ancient instruments on madrigals, shanties and folk from France, Germany, Russia and England. (The new album also contains an Elvis cover and a Rainbow cover.)
 
Night also appears in the feature film "Pray For Light," slated for early 2009 release.

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